By Marcela Valdes
The Washington Post. Page One. April 17, 2014.
Gabriel García Márquez, the Nobel Prize-winning Colombian writer who immersed the world in the powerful currents of magic realism, creating a literary style that blended reality, myth, love and loss in a series of emotionally rich novels that made him one of the most revered and influential writers of the 20th century, died April 17 at his home in Mexico City. He was 87.
The Associated Press reported his death. In July 2012, his brother Jaime García Márquez announced that the author had dementia.
Mr. García Márquez, who was affectionately known throughout Latin America as “Gabo,” was a journalist, novelist, screenwriter, playwright, memoirist and student of political history and modernist literature. Through the strength of his writing, he became a cultural icon who commanded a vast public following and who sometimes drew fire for his unwavering support of Cuban leader Fidel Castro.
In his novels, novellas and short stories, Mr. García Márquez addressed the themes of love, loneliness, death and power. Critics generally rank “One Hundred Years of Solitude” (1967), “The Autumn of the Patriarch” (1975) and “Love in the Time of Cholera” (1985) as his masterpieces.
“The world has lost one of its greatest visionary writers — and one of my favorites from the time I was young,” President Obama said in a statement, calling the author “a representative and voice for the people of the Americas.”
Mr. García Márquez established his reputation with “One Hundred Years of Solitude,” an epic novel about multiple generations of the Buendía family in the fantastical town of Macondo, a lush settlement based on the author’s birthplace on the Caribbean coast of Colombia. The novel explored social, economic and political ideas in a way that captured the experience of an entire continent, but it also included supernatural elements, such as a scene in which a young woman ascends to heaven while folding the family sheets.
By fusing two seemingly disparate literary traditions — the realist and the fabulist — Mr. García Márquez advanced a dynamic literary form, magic realism, that seemed to capture both the mysterious and the mundane qualities of life in a decaying South American city. For many writers and readers, it opened up a new way of understanding their countries and themselves.
In awarding Mr. García Márquez the literature prize in 1982, the Nobel committee said he had created “a cosmos in which the human heart and the combined forces of history, time and again, burst the bounds of chaos.”
“One Hundred Years of Solitude” has been translated into more than 35 languages and has sold, by some accounts, more than 50 million copies. The Chilean poet and Nobel laureate Pablo Neruda described the book as “the greatest revelation in the Spanish language since the Don Quixote of Cervantes.”
Mr. García Márquez parlayed his literary triumphs into political influence, befriending international dignitaries such as President Bill Clinton and François Mitterrand, the late president of France. The celebration for Mr. García Márquez’s 80th birthday was attended by five Colombian presidents and the king and queen of Spain.
Yet few knew the penury the author endured before achieving fame. “Everyone’s my friend since ‘One Hundred Years of Solitude,’ ” Mr. García Márquez once told a brother, “but no one knows what it cost me to get there.”